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In Symphobia 2's 'Dystopia' section, the mod wheel can be used to apply extreme filter settings to the processed soundscapes.Much as I enjoyed the lively staccatos of the combined strings and woodwinds patch, I initially found the woodwind element hard to detect - because the loud, emphatic strings bow attack (a Symphobia trademark) tends to mask it. Then again, if you'd rather end on a big fat tutti major or minor chord, there are plenty of them in the library too. An optional, additional grandiose timp-roll layer makes these octave samples ideal for the final, triumphant note of your latest orchestral masterpiece.
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With this, you can keyswitch between splendidly forceful and meaty staccatos, looped sustains and a set of long notes in which higher instruments double the bass notes across four consecutive octaves. The producers go straight for the jugular with a powerful 'full orchestrator' patch containing strings, brass and woodwinds playing together. Since the 'all together now' instrumental approach of the original went down so well, Symphobia 2 offers a lot more material in the same vein. Thanks to Kontakt's new lossless compression method, the 33GB of 24‑bit sample data occupies only 18.2GB of disk space when installed.
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Kontakt Player 4 software (which doesn't allow editing) is included on the installation DVDs - but if you already own the full version of Kontakt 4.1, you won't need this player (in fact, if the installation software detects the full version of the program residing on your system, it won't install it anyway!). Symphobia 2 is formatted for Native Instruments' Kontakt 4.1 sampler, which runs stand‑alone and as a plug‑in on Windows and Mac machines. (You can read the original SOS review of Symphobia at /sos/dec08/articles/sampleshop.htm) Contrary to rumour, it does not incorporate the original library (though it was recorded in the same concert hall): it's a new, separate, much larger, supplementary collection, which takes over where its predecessor left off. Add to that Symphobia's impressive array of hits, rips, clusters and glissandi and its large soundscapes section, and the net result is a powerful, impressionistic and easy‑to‑use orchestral collection that was well received across the board.īuilding on the principles established in the 2008 original, SAM have created a follow‑up, entitled (no doubt after much deliberation) Symphobia 2. The success of ProjectSAM's Symphobia is founded on a simple fact: many users lack the time, patience or know‑how to painstakingly build sampled orchestral arrangements one instrument at a time, and so appreciate a library that features full, ready‑to‑play strings, brass and woodwind family sections as well as ensembles of different instruments playing together. Symphobia's sequel probes deeper into the psyche of the sampled orchestra.